Music Production - The amount of Layers is simply too Much?


With regards to layering tracks and beats, often it can be very hard to know when to stop. We could keep layering and dumping more on the same tracks until we're satisfied, but will it sound okay to everybody? In this post we're basically gonna discuss how to know when enough will do.


To begin with, the number of layers and instruments needed might be deduced down to this: in case you have gotten your point across, it is probably fun to avoid. Which is wise talk. A famous mixing engineer once said: if you cannot hear it, it shouldn't maintain the mix. And we have to really live by this saying. One more thing I regularly tell clients are these claims: if it adds nothing unique to the song, will it need to maintain there? The weakest part of a track will be the track. Which means that the worst thing you set could bring the whole thing down unless it's absolutely magnificent sonically and emotionally.

Simple and plain music can be be extremely attractive. Additionally, it forces you to make better music. It makes you treat each track as it was the one track within the song. Hell, maybe it can be! That you should your mindset.

Following the morning, however big you need to you could make your track is perfectly up to you. Always pay attention to your audience, though, you will want feedback and search it over closely and without any anger if it is negative. Simply take it in and think about the points made. Driving under the influence nothing but positive feedback, then you already know you are going inside the right direction.

Some instruments stack better than others, too. Consider the piano for example. You would in no case want to stack 2 pianos playing precisely the same notes, and even playing different notes, it's going to be not easy to stack these harmonically. Whenever they sound exactly the same, it will be extremely tough.

However, some artists have attempted having two pianos playing simultaneously; they just make certain they've got different character and they are distinguishable. Should you be going to attempt this, apply some reverb to at least one piano to get the far-away and close-up effect. The listener will hear one off from the distance and the other very close. Making it more realistic, apply about 5% the exact same reverb for the close piano and select a hall patch. On your audience it will appear to be both pianos will be in the identical environment.